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Anxela Caramés


Anxela Caramés
(Santiago de Compostela - A Coruña, 1977) is PhD in Fine Arts (Polytechnic University of Valencia, 2016), with a thesis on feminist curatorial practices in the Spain since the 1990s and she has completed doctoral studies in Visual Arts and Intermedia from 2004 to 2012 at the same University. She is graduated in Art History (University of Santiago de Compostela, 1995-1999) and she has been trained in Performing audiovisual (School of Image and Sound, A Coruña, 2000-01). As a researcher in visual arts and feminisms she has published articles in specialized magazines and art exhibition catalogs. She has also lectured at Universities and Art Museums.

She works as curator and art critic, interested in visual culture, media art, the impact of the social and the political aspects in contemporary art, emergent artists and gender studies. She has organized feminists’ artistic events like conferences with video sessions and performances: Subjectivities reviews/Narrative identities. Feminism and contemporary art in the Spanish State (2006-2015), Against all odds. Words and traces of feminisms (2009), Muartech. Hybrid Actions from gender and technology (2011) and Emerging subjects. Sexualities and contemporary feminisms (2011). She has curated exhibitions: Desnudas (Women Naked) (2011) Ensamlandet/Land of Loneliness (2012), Elas Fan tech (Women Making Tech) (2013), Woman looks at the Postal Guide of Maruja Mallo (2014) and Lost & Found. (Re)collected Arquives (2014).

www.anxelacarames.com